“Euphoria” star Sydney Sweeney was “scared” to do HBO’s “Reality,” which uses an actual FBI transcript to tell whistleblower Reality Winner’s story.
Author: Patrick Ryan, USA TODAY
‘Beetlejuice 2’: Everything we know about the sequel to Michael Keaton’s beloved movie
“Beetlejuice 2” is coming to theaters in 2024. Here’s what to expect from Tim Burton and Michael Keaton’s highly anticipated movie sequel.
‘The Steve-ness of it all’: Steve Martin talks tour with Martin Short, new audiobook
Steve Martin tells USA TODAY about his new audiobook “So Many Steves,” a deep dive into his life and career with writer Adam Gopnik.
‘Peter Pan & Wendy’: How Disney’s 2023 live-action remake fixes ‘problematic’ animated original
With diverse Lost Boys and authentic Native representation, Jude Law’s “Peter Pan & Wendy” improves upon Disney’s animated original in many ways.
‘Phantom of the Opera’ takes final Broadway bow with tears, chandeliers – and a vow to return soon
Andrew Lloyd Webber’s “The Phantom of the Opera” closed Sunday after 35 years. Here’s everything that happened during the emotional final performance.
‘Saturday Night Live’ spoofs ‘Barbie’ trailer with clever American Girl doll parody
In a send-up of the new “Barbie” trailer, “Saturday Night Live” imagined what a movie would look like with historically accurate American Girl dolls.
‘RuPaul’s Drag Race’ crowns winner of Season 15: Trans people ‘are not going anywhere’
Who sashayed away with the crown in the “RuPaul’s Drag Race” season finale? USA TODAY was on the scene with the queens for a watch party in New York.
Florence Pugh found it ‘really liberating’ chopping off her own hair for ‘A Good Person’
Florence Pugh says making ex Zach Braff’s new film “A Good Person” gave her “confidence” to write songs again. She also got to channel her teen angst.
The 6 best (and worst) Oscar moments: Lady Gaga strips down, Jimmy Kimmel roasts Will Smith
Didn’t watch the 2023 Academy Awards? Here are the biggest moments you missed at the Oscars, from Lady Gaga’s performance to Jamie Lee Curtis’ speech.
Why ‘Everything Everywhere All at Once’ is the film to beat going into Sunday’s Oscars
“Everything Everywhere All at Once” is the heart-tugging, absurdist comedy we never knew we needed. Now, it’s expected to sweep the Oscars on Sunday.